Scanning film at home: Portra 160

I have always been having my films developed and scanned at a local lab. The service they provide have always been impeccable but it takes awhile before I get my films and scans usually about 2weeks. Cost wise it’s also a bit expensive and more so if you like pushing your film. My cost for a Kodak tri-x @ 1600 with scans is around 16usd! These pushed me to develop and scan my own films. I’ll talk about the developing part on the next post. Scanning first as I have scanned this roll of portra before I started developing my black and white.

http://www.japancamerahunter.com/2016/02/scanning-film-digital-camera/

Ever since I read the article above from Japancamerahunter I have been toying with the idea of scanning my own negatives at home but never really have the impulse to push thru with it, until now. I just followed the template and work flow of Adrien Saint-Pierre (author of the article)

Equipment:

  1. Nikon D7000 (my old dslr before starting film photography)
  2. Micro-NIKKOR 55mm f/3.5 ai (20usd)
  3. Generic extension tube (12usd)
  4. Tripod (hand me down from my brother)
  5. Film holder? cut out from an archival sleeves.
  6. Asahi light panel 15watts (10usd) A decent light source is a must. I have tried using Ipad for it but the pixels shows.

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The light panel with the archival sleeves tightly bound by gaffer tape to the negative will lay flat (cheapo way) but is prone to dust. I did all the same with the article.

Minotla cle with 40mm M-rokkor, Developed at the local lab. Scanned with a DSLR.

You can already tell I am having problem with colors. First they aren’t consistent even with me using the same setting and post on them and second they don’t have the Portra 160 feel. If you have a solution for me don’t be shy to comment I would appreciate it deeply. CLE(PORTRA)-9

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Pros of scanning wtih a Dslr

  1. You control the output ( can sometimes be a con like the color problem of mine)
  2. Faster scanning than from the labs
  3. Cheaper long term
  4. High resolution? Most of the image are around 20mbp

Cons

  1. More work on your side
  2. Dusts if you don’t have the proper environment like me. Had to spot heal most of the photos alot.

It’s cheap if you already have a DSLR and a tripod you won’t lose anything by trying to scan at home using a Dslr. If you end up hating it at least you got a macro lens to play with! win-win.

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New Toy: Minolta CLE

I have been playing with the Minolta CLE for almost a month now. I love how it looks with the “Minolta” and “CLE” taped over, giving a generic compact camera look. The learning curve is a little rocky for me being a slow learner. Coming from a Nikon F3 there’s a lot in common with the CLE. Not mechanical, used mostly as aperture priority and my only gripe is the exposure lock. Most of the learning curve is from being a Slr shooter to a rangefinder. I had difficulty focusing at first and the smaller “viewfinder” due to not using the whole field of the “viewfinder” if that even makes sense.

After the first roll I became more comfortable with a rangefinder and the weight makes me carry it everywhere. Feed it  another roll where I thought I nailed a few decent shoots, so I send it to be developed and was excited for it to finish.

Then shit hits the fan. The negatives return almost paper white I know something went wrong. Checked the scans and most of it is underexposed. I don’t know if it was a developing mistakes as I pushed both the Tri-x to 1600. Cold sweat run down my face fearing the worst, the CLE’s meter was busted. I checked the meter of the CLE against the F3 and my android app but all 3 shows the same meter reading. I was really bummed with the results. Decided to run a Fuji C200 on it to really test it out hoping it was a processing mistake.

Thankfully the negatives was correctly exposed, the meter is not busted.C200-4

The F3 is sleeping on the shelf now that the CLE is my daily companion. It’s perfect for me as it’s light, stealthy and a great 40mm lens. Still learning a lot on how to shoot a rangefinder (zone focus, hyperfocal.. etc.etc.)

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Well that’s it for now.

Keeping shooting!

Loving this site (and learning a lot from it)

http://www.yanidel.net/

Minimalism: Agfa Vista 400

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Welcome back to the busy jungle of Manila. It’s a chaotic place. People are so busy surviving that cleanliness is the last thing in there minds. They spit, urinate and even defecate in the streets (Bums). Electric and telephone lines abound and is uncontrolled. Every street is filled with chaos and it reflects on my photo, It’s so busy that the subject gets drowned in the noise. I need to improve my composition so I challenge myself with a theme of minimalism for this roll of Agfa Vista. Enjoy!

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Chaos. Beating the red light.

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Bangkok in Film: Ilford HP5 @1600

I found this roll a while back not knowing what’s in it, what camera did I shoot with it and importantly what iso I used. Took me a few week to decide that having it developed a little longer would be the safest.

So welcome back to Bangkok! And welcome to Chao Mae Tuptim shrine A.K.A the Penis Shrine.

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The caretaker told us that they just removed half of the penises in the shrine as they were getting a bit crowded. People having fertility issue would leave behind a phallic candle or idol to make their wish come true. It is said that if you touched the phallus it would bring good luck and fertility. I did touched some of the phallus (no homo) hoping it would bring us luck. You can find elephant figures, creepy doll dresses ( I don’t know what they are for) and crammed to every crook and cranny are penises!

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See what I mean by creepy. This just gives me the heebeegeebees!

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This is my favorite shot I got from the shrine. I haven’t read yet “The Subtle Art of Not Giving a F*ck by Mark Manson” But this reminds me of that book. I like how the penis is just proudly standing there.

What I love most in Thailand is the ambience of calm and unrushedness of the people. Look at him just chilling by the fountain even removing the shoes to be comfortable. Also Bangkok feels more spacious than Manila which is very very crowded.

Up next is the Banyan Tree sky bar. Being on a tight budget and just wanting to sightsee we just ordered drinks thankfully there’s free nuts. And what a great view it offered. I’m really regretting only bringing my 50mm to this trip.

Do me a favor and be smarter than me when you visit this place. See those railings? A great place to mount a gorrila pod and bring a wide angle lens or maybe a fish eye. Time it just right for sunset shots then order a few more drinks til it’s dark and the night light are on and get a great night shot of Bangkok. And not a plain boring shot like I did:HP5-1

I think this is the phallus’s making. When the waiter brought our drinks he accidentally spilled one of the glass on our table. Lucky none of us got wet with it. As compensation they gave us another round for free and waived our bill. I hope that doesn’t come out of our waiters salary. Thank you Penis shrine I know that was because of you.

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This would be the face of someone spending the last night in Bangkok eating like crazy Due to the saved money from Banyan Tree we had enough for a buffet. Thus the evil palm rubbing.

Thank you for all the memories and the good time Bangkok! Maybe Chang Mai next time.

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Nothing brings you back to Manila more than someone in a diaper playing ball on a busy road. HP5-3-4

Just hold on. We can slowly work together for a better future. By starting with ourselves. Let’s be the best possible version of ourself. And as always love and take the most meaningful photos to you.

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Thank you for reading!

Learning: Roll#9 Tri-x @1600

When I started using film I had this idea/dream that every photos I would take would be the “SHIT”. Oh how right was I when the first roll got developed and printed. 35 shots of crap (under, overexposed and out of focused shots) and 1 decent photo. I blamed everything less but me. Maybe the camera is broken it’s old, maybe the meter is fried, maybe my film stock wasn’t handled well being developed yeah that’s it bad developing. But deep down I know it was my fault. So I did what any normal person would do before running a film thru a new camera: Read the manual. Ha! so it’s center weighted metering, that’s good to know.

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Next thing I did was browse through the works of Josef Koudelka and learn from him. Ofcourse I admired Henri Cartier-Bresson, Robert Capa, Robert Frank and most of the greats but it’s with Josef Koudelka’s work I resonated with.

https://www.magnumphotos.com/photographer/josef-koudelka/

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Great work takes time. Koudelka took around 5000 photos of the Prague 1968 invasion but used only a fraction of it. Only later when “Invasion 68:Prague” that other photos would be used, it featured 250 awe inducing photos most of them published for the first time. That’s 250 out 5000 photos! He had a tight body of work spanning all the years he was taking picture but the quality of it was absurd. So be patient and enjoy the learning process.

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After shifting to film my compulsive behavior to shot 10 or more photo of the same thing completely disappeared and was replaced by extreme skimping. 1shot per 1 subject that’s all I gave myself. Only after looking at Koudelka’s contact sheet did I realized that if you feel there’s a “Shot”, you can work the scene out. Compose, recompose and shoot. Don’t skimp. Which made me think of this quote:

” In the end you only regret the the things you didn’t do”

Let’s rephrase this

” In the end you only regret the photos you didn’t take”

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My favorite photo. Took me a bit of experimentation but I got it. When life seem dark always look to the light. I always look to you my light. I am grateful having you. Thank you and thanks for reading!

Nostalgia: Roll#8 Lucky

It’s amazing how photos can bring you back to a moment in your life. This is one of the reason why I am into photography. I visual anchor to the past charged with emotions and memories. Ahhh, Nostalgia.

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Co-habitation towel. This one is meh at best but this is special to me. It reminds me of a happy, simplier and relatively stress free time. I can even remember the sound of the jack hammer pounding outside and making sleep impossible. So I decided to take some photo of the room as we we’re moving out soon.  Looking back now I can tell you how glad I am wasting film and money on them. Reminiscing is priceless.

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“Meditation by Marcus Aurelius” And “Letters from a Stoic by Seneca” two of my favorite books. Basically saying to me to stop my bitching and whining. Stop being a victim and to actively help myself because I’m the only one who can change my situation. The external forces you can’t control but you can control everything within you. You control your own narrative.Lucky-6

So let’s take more meaningful pictures. It doesn’t have to be world changing or a technical marvel. All it needs to do is please you. You’re the one with the emotional attachment to it. Take this white rose for an example. I should have lessen the clutter to make it a bit more bearable but this one signifies my girlfriends passing of her licensure exam. I’ll always remember buying it cause it’s all I can afford, a single measly piece. Well it’s the thought that counts.

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The face of success.

I’m proud of you for passing the board exam. I’m sure you know that. CongratuFU*KINGlations!

Review: Olympus Om2n

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First impression:

Very light! Weights only 750 grams thats the body, lens (Om 50mm f1.8), neck strap, the film and battery. That’s already the weight of the Nikon F3 body only! It also has a great feel to it, just like the Nikon F3. It has this feeling of rugged elegance that seduces you to carry it every time you go out. This is a huge factor for me as I tend to forget the cameras with a plasticky feeling. Caressing, having the feel of it, cocking the shutter and firing it. It’s shutter noise is less audible compared to the F3 but it’s still audible. Cocking the shutter is not as buttery smooth as the F3, well it’s not a big deal. I’m a simple man, all I need in a camera are aperture priority, good glass and the a “good feel/ build” to it. Time for a test roll.

Om2n with 24mm f2.8 (HP5 @ 400)

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Om2n with 24mm f2.8 (Ultramax)

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Om 50mm f1.8

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The Olympus Om2n is a great everyday carry. It’s so light you’ll forget you’re even carrying it. The view finder is large and bright! Makes it easy and fast to focus. The meter reads the same as my F3 which is spot on. I love the om2ns’ meter! In aperture priority you’ll see the shutter speed with a needle for the exposure giving you information how much lee way you still have. And in manual exposure it’s gonna give you a different “graph?” which shows you how much you’re underexpose or overexposed. The only thing missing was exposure lock but can easily be corrected with the exposure compensation. The Om glasses are impressive! It’s like a featherweight packing a punch several times above it’s class. Image quality, ergonomics, size and weight you can’t go wrong with these lenses.

Om 24mm f2.8 – Love having the perspective of an wide angle lens. This is my first wide angle and I have been enjoying it. I just have to be conscious of the light source as I think my copy is single coated.

Om 50mm f1.8 – Looking thru the view finder with this lens attached makes you feel like you’re inside the frame (weird as that might sound). Maybe it’s the large view finder and the shallow depth of field which has a very 3 dimensional feel when moving the focus.

Pros:

  • Light and Small
  • Large and bright Viewfinder
  • Meter is reliable
  • Battery is easy to find
  • Small and relatively cheap lenses ( except for the 50mm f1.2)
  • Easy exposure compensation

Cons:

  • No exposure lock
  • Mirror lock up (would be a great addition for long exposure)
  • When the electronics is fried the camera is dead

If you want or see a Olympus Om2n buy it! It is usually the cheapest compared to the Om1, Om4 (Om4ti) and Om3t. And prices are going up.

Still want to see more photos from the Olympus Om2n? Go here for some amazing portraiture:

https://www.instagram.com/fabiofilmphotography/

http://www.fabiosabatiniphotography.com/

And another review of the Om2n:

http://www.fogdog-photography.com/fogdog-blog/2016/8/23/olympus-om2n

 

Bangkok in Film: Kodak Ektar 100

Perfect weather for a roll of Ektar.

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Entrance to the Grand Palace. The security is tight! Look at all those guns.

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The Garuda and Naga. Garugas are like harpies, half man and half bird but of the opposite sex. He’s the steed of Lord Vishnu or something like that. The snake he’s ripping apart is the “Naga”.  I don’t know which of them started this family fued as they’re “cousins” but it’s always ends with  the Garuda winning. (kinda like the eagle eating the snake)

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We enjoyed this fountain at first because the pigeons have been “pavloved” not be scared of humans and see them as vending machine of corns. Then a man gave us small packets of corn.

“How much?” we ask.

“It’s okay. It’s okay.” He said. Woah. This place is really great, people are very friendly and giving you free stuff. If only Philippines can step up it’s game then maybe the tourism would increase. Blah blah..

So we continued to play and feed the pigeons. After depleting our corn supply we decided to leave.

“Thank you for the corn.” I said or something like that.

“300 bhat. 100 bhat each packet. YOU PAY.” Kinda lost my temper here. We conceded to pay 100 bhat and decided to leave him. So please learn from our mistake. Visit but be wary of this kind of trick.

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Elephant statue at the entrance of the Phra Thinang Chakri Maha Prasat.

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Thotsakhirithon (Yaksha) is a kind of nature spirit that protects and guard treasures. It’s no wonder they’re placed in the entrance of the Wat Phra Kaew. It’s amazing to see the parallel between Thailand and Japan due to their culture and religion . Yasha in Japanese.

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I think she’ll kill me if she sees this. Candid for her devouring a delicious local banana crepe.

This is the last of the Bangkok in Film. I really miss this place already. I miss the laid back atmosphere where most of the people don’t seem to be in a hurry. The people are very polite and would do everything to help you. Can’t wait to be back.

Thank you for reading!